Hi everyone! We're back today for a special interview with the talented Director of Photography, Benedict Spence BSC about Eric Netflix TV Show. Benedict...
Hi everyone! Today, we are happy to spotlight the incredible talent and multi-award-winning cinematographer, Michael Wylam. Michael is renowned for his work on 'Where...
At FilmmakersWorld, we are always excited to bring our audience closer to the creative minds behind some of the most compelling cinematic projects.
Recently,...
Hi everyone! Today, we are excited to interview our friend and long-time Filmmakersworld contributor: Sidney Baucheron, Lighting Director and Gaffer, based in Paris.
In the...
Today's breakdown is distinctly creative. Following the success of his campaign (A commercial for a Tripod), Zac reached out to share his creative process...
Hi everyone!
Today, we have the pleasure of interviewing award-winning director Owen Brown, a director in the music industry who’s worked with Barack Obama, Google,...
Hello everyone! Today, we have the pleasure of talking to Steven Holleran, a talented cinematographer. He will tell us about his latest significant work,...
In a post-apocalyptic world, Ruby embarks on a treacherous journey
west in search of her older brother Henry. Along the way, she
encounters an enigmatic old woman who holds secrets of the past.
In the vast landscape of cinema, the post-apocalyptic genre has witnessed numerous interpretations. Yet, "Along Came Ruby" emerges as a novel spectacle.
“Am I going to jail tonight,” calmly asks Reality Winner (excellently portrayed by Sydney Sweeney), an American intelligence specialist, who served a prison sentence for the unauthorized release of government information to the media about Russian interference in the 2016 United States elections via an email operation.
Based on the FBI interrogation transcript of the fateful day of Reality’s arrest, Tina Satter’s film powerfully brings that day to life as we experience the heart-wrenching events from Reality’s perspective.
Filmmakers World caught up with DP Paul Yee about his work on the film.
By Oliver Webb