Here we go, guys, with a new magazine piece dedicated to Kage, the latest project by cinematographer Vincent Eckert —our friend and a valued contributor to the wonderful FilmmakersWorld community.
We’ve already featured him in two previous magazine editions, where he shared insights about his career and the cinematography behind some of his works, including Martyrs of Striving and Daemonicon.
Today, we’re excited to talk about his latest and fascinating project, Kage, a samurai action short that takes us deep into the visual and thematic essence of Japan. Inspired by the legendary Akira Kurosawa, Kage combines traditional cinematic aesthetics with cutting-edge filmmaking technology, creating a unique fusion of past and present.
To dive deeper into the making of Kage, Vincent shared insights into his creative process and technical decisions.

A Journey into the Shadows
Kage tells the story of a warrior whose own shadow takes on a life of its own, pulling him into a mysterious shadow world where an epic battle unfolds. To capture the essence of this visually striking narrative, Vincent Eckert used an innovative mix of classic and modern techniques, carefully balancing the influence of Kurosawa with contemporary advancements in cinematography.

Tradition + Technology
One of the most fascinating aspects of Kage is the use of an original Toho Scope anamorphic adapter from Japan. This choice was not only a tribute to the cinematic style of classic samurai films but also served a practical purpose—reducing the digital texture of the LED volume used in the production.
For the real-world sequences, the team utilized the LED Virtual Production studio at Hyperbowl Studio, taking advantage of the immersive digital environment. However, when it came to the shadow world, they opted for a traditional studio setup. This decision was not just cost-effective but also provided better rigging options for complex stunt wire sequences, ensuring more flexibility in execution.


Lighting & Atmosphere
Creating the contrast between the two worlds was a crucial aspect of the film’s cinematography. While the real world appears vast and open, the shadow world was deliberately designed to feel confined and disorienting, mirroring the protagonist’s inner conflict.
Vincent achieved this effect using fog, silhouette-style cardboard rocks, and strategic lighting techniques. He illuminated the fog from below with LED strips while SkyPanels from above created additional atmospheric layers, giving the shadow world an endless and immersive quality.
A Cinematic Experiment
Eckert took creative cinematography to the next level by attaching a samurai sword directly to the Sony Venice camera for an exceptionally immersive shot. This experimental approach added a dynamic perspective to the film, making the action sequences even more engaging.
Vincent explained that his inspiration for blending Kurosawa’s aesthetics with modern filmmaking techniques stemmed from a deep admiration for the legendary director’s use of movement, composition, and light. The goal was to honor Kurosawa’s legacy while using modern technology to enhance, rather than replace, traditional cinematography.
Discussing the decision to transition from LED volume to a traditional studio for the shadow world, Eckert emphasized the need for a more controlled environment. While the LED volume worked perfectly for real-world sequences, the traditional studio allowed for greater manipulation of depth, lighting, and stunt rigging, which was essential for the film’s action sequences.



The atmospheric depth of the shadow world was achieved through the strategic use of fog and silhouette-style rocks. These elements blurred the boundaries of the set, creating an illusion of infinite space and reinforcing the protagonist’s psychological struggle. By carefully balancing light and shadow, the team was able to craft a visually compelling world that felt both immersive and otherworldly.
For Eckert, the most rewarding aspect of working on Kage was seeing the fusion of classic and modern techniques come to life. The project pushed his approach to cinematography, allowing him to explore new creative challenges while staying true to the art of visual storytelling.

Technical Specifications:
- Camera: Sony Venice
- Lens: Toho Scope anamorphic adapter
- Virtual Production: Hyperbowl Studio LED volume
- Pre-visualization: Cinema 4D/Unreal Engine
Key Crew:
- Director: @matschaudig
- DOP: @vincent_eckert_dp
- Producer: @titouysal, @eskindir_tesfay
- Production Design: Matthias Kammermeier
- Color Grading: @denniskasparicolors
Thank you fam for reading, if you wanna learn more about the work of Vincent Eckert, go check his website, and in case you missed our previous mag piece, go check it out!
Much love!
FilmmakersWorld Team
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